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Maison Francis Kurkdjian Baccarat Rouge 540 Travel Set 5x11ml
R 6,880.00
Bright and sleek, Baccarat Rouge 540 eau de parfum caresses the skin like an amber and woody floral breeze, a poetic alchemy. The travel set showcases the highly condensed and graphic olfactive signature which celebrates the encounter between Maison Francis Kurkdjian and the Baccarat crystal manufacturer. Five refills (11 ml) and a sophisticated gold version of the precious Globe Trotter spray bottle allow you to elegantly take this fragrance with you. The Baccarat Rouge 540 set makes a perfect gift, whether giving or receiving.
In stock
SKU
3700559604441
Olfactory Notes:
AmbroxanTM
AmbroxanTM emulates its various amber, dry woody and mineral facets. It is a kind of super-potent woody note with a lingering sillage that adds a modern sensuality to any kind of composition.
Hedione
When Heione isolated, it evokes the floral and very fresh delicacy of jasmine, with a slight lemony facet, like a slice of lemon dipped in a glass. In its natural state, it comes into the composition of the scent of tea and jasmine, even if it is quite different, more airy, more luminous. In addition to this transparency and lightness, it binds other ingredients and adds freshness, volume and diffusion to a creation. Francis Kurkdjian refers to it as a breeze of petals.
Cedar from Virginia
This is the typical smell that comes out when you sharpen a pencil: woody, dry, slightly spicy and creamy. This North American cedar, also called red cedar because of the color of its wood, belongs to the juniper family, Juniperus Virginiana. Several types of cedars are used in perfumery, but this one comes into play in the heart and base, which gives a kind of verticality to its woody theme.
Safran
The most expensive spice in the world, nicknamed "red gold" - natural saffron is not used in perfumery because it contains safrol, a highly allergenic compound. But its effect is reproduced with one of its derivatives, saffronal. Its very powerful perfume is bitter and slightly metallic, blowing hot and cold on the rest of the composition with also a leathery, tarred facet. Francis Kurkdjian likes to use it in the top layer of a fragrance to break the sweetness of citrus notes. It is often associated with Oud-based perfumes and oriental amber accords.
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